Classic picture car fleet.

A collection built for the camera

The vault holds European grand tourers and American classics from the 1950s to the early 1970s: the eras that still define how an automobile reads on screen. A Jaguar E-Type and a Ferrari 250 GT Lusso carry a very different weight to a raven-black Mustang fastback or a mid-sixties Chevy Nova, and that range is deliberate: one collection that can furnish a Manhattan period drama, a television series and a commercial without repeating itself.

Each card below shows the year, marque and model, a short note on the car's character, and its current status. Production Ready means the car is inspected and available to be scheduled; Reserved, Maintenance or On Exhibition means it is committed elsewhere and dates must be arranged with the owner. Open any vehicle for its full specification, gallery and background.

What the collection covers

Broadly, the vault falls into three groups. European grand tourers: the Jaguar E-Type, the Mercedes-Benz 300SL Roadster and the Ferrari 250 GT Lusso: bring restraint and status, and suit period drama and luxury commercial work. American classics such as the Mustang fastback carry weight, noise and motion, which is what chase coverage usually wants. Everyday period cars like the Chevy Nova dress a street scene honestly, without pulling focus from the story.

Mid-engined exotica sits slightly apart: a Lamborghini Miura SV is a hero car, booked for a single frame or a title sequence rather than background dressing, and its dates depend on exhibition commitments.

Who we work with

Feature film, television, streaming and commercial productions, booked by producers, production designers, location managers and picture car coordinators. Rentals are confirmed for production houses with commercial insurance in place, which we review before any booking is agreed.